Nick Krouwel
Nick Jan Krouwel
515 Beacon Street, 02215
Boston, MA, United States
nkrouwel@mit.edu
+1 (857) 277 3890
A concise selection of the works by
This is the portfolio of an architecture student who presents it with
the same passion with which the projects he works on.
Preface
Nick Krouwel is currently joining MIT as an architectural exchange student from the Technical Universi-
ty of Delft. Very much driven to continue my academic education at MIT, I am caught by a vision whe-
re our knowledge and technology does not limit us but rather enables us to turn surreal dreams into
inhabitable sustainable space, to turn fiction into fact. With technology accelerating our future and
architecture being the canvas of the world we are living in, the discipline has the greatest potential to
be evolved more than ever to make this happen. The combination of advanced digital prefabrication
techniques and traditional crafts, should allow us to solve our rising demands and a sustainable future.
For my work I experience the benefits of combining digital and rapid prototyping techniques during
the design process, as inspiring interchange between the virtual and real. To achieve this, I make use
of high-end visualization software like Photoshop and Illustrator, as well as complex 3D modeling soft-
ware like Rhinoceros, Grasshopper and Maya. I find digital and physical modeling a profound way,
for presenting and prototyping my designs. Therefore, I use many different techniques ranging from
the machining of metal and the moulding of concrete and plastics, to the understanding and practice
of laser cutting 3D printing.
All these versatile skills are applied in my work so if you are interested, please have a look.
Content
Minor Advanced Prototyping
Script
Lightstyle
Bachelor // Architecture & Industrial Design
Graduation Project
Kunsthal
Bachelor // Architecture
Bucky Lab Studio
COS-e
14
16
13
Master of Science // Architecture, Urbanism and Building Technology
Concept Poster
Minor AP
The minor Advanced Prototyping was a six-month curricular program provided by the fac-
ulties of Architecture and Industrial Design at the Technical University in Delft. During this
program, I gained experience in the use of digital modeling and rapid prototyping tech-
niques which I find an inspiring interchange between the virtual and real. During lectures,
workshops and several small design projects, I excelled myself on different fabrication tech-
niques ranging from crafts like the machining of metal and moulding of concrete and plastics,
to more innovative techniques such as laser cutting, CNC-milling and 3D-printing.
To convince you of my skills, I would like to present a selection of two smaller indi-
vidual design projects. For Script, I practiced a sequence of production techniques to finally
cast complex detailed double curved surface in epoxy resin. In the Lightstyle project I made
multiple prototypes to determine its perfect proportions. I experimented with different mate-
rials in search of the most striking lighting effect.
I have worked on both projects with great passion and interest for the practice
of these traditional crafts and innovative techniques. Since I have experienced these tech-
niques, I am pleased to apply these techniques for my work.
Bachelor // Architecture & Industrial Design
Script
Due to my passion for handwriting
and designing, it was my goal to pro-
duce a set of handwriting tools meet-
ing my personnal demands on size,
grip and appearance.
After using rather primitive
prototyping techniques in search
of the right shape and grip for my
hands, this shape was eventually si-
mulated in a set of 3D models. These
models are printed in cast using a sin-
tered based 3D printer. They function
as the basis for further production for
any molding technique. The aluminum
parts are made with a precision on
the tenth of a millimeter on the lathe.
Lightstyle
The LZ129 Hindenburg was the world first ever made zeppelin of a light wooden
structure and tensioned fabric. Because of the hydrogen that was used to lift its
mass, it had a massive explosive ability that after a journey of 337000 kilometres
lead to the fatal accident on the 6th of may 1937.
The story of the Hindenburg has been the inspiration for this lighting object.
Digital fabrication is used as a tool to represent the correlation between the form
and it’s contrary. By interlocking these surfaces perpendicularly, the strongest visual
effect and firm structure are achieved.
The process results into a final product existing out of just two main com-
ponents. The actual surfaces are cut by a laser out of 3mm perspex. The aluminium
component serves as fitting for the lamp and fixates these interlocked surfaces with
a bayonet catch.
The explosive properties of het Hindenburg are translated into the heavy
mass of the perspex. This gives the intention that the same fatal consequences might
happen when hanged above your kitchen table.
Graduation
Project
Bachelor // Architecture
For the graduation project of my bachelor I made a redesign for the Kunsthal Rotterdam, a
true icon designed by the Dutch pioneer of architecture, R. Koolhaas. Despite its popularity
among visitors, there have been complaints about the building because of its poor detailing
and the complex routing in and around the museum.
After the analysis the following can be concluded: The environmental qualities
around the Kunsthal, are insufficiantly benefitted by the introverted design. When refurbish-
ing the complex design, it will lose character since its different elements are heavily related
to each other. Therefore, the new concept of composing the building to form a unity with its
surroundings requires a complete new design.
In this redesign there is a full integration of multiple disciplines present. Architectural-
ly, the concept of R. Koolhaas is reinterpreted to use the building as a connection between
the park and dike. By lifting the exhibition spaces a covered public space underneath is
created, enabling a visual relation between the interior and exterior. Although its bearing
structure is concealed from the exterior, it is present and aesthetically used in the exhibition
spaces. In terms of installations there has been made a distinction between the closed
volumes and the main hall. Those that have specific demands for ventilation, lighting and
heating are positioned in the closed volumes, where as the public spaces surrounding these
volumes have a more passive climate.
During my graduation project I was able to use all of my experience and skills ob-
tained during my bachelor resulting in a detailed design comprising multiple architectural
disciplines.
Kunsthal
A full understanding of its compostion is vital. This knowledge is derived from this concrete model. A mould of the inverted building
anebled me to cast this sculpture. This requires full understanding of the buildings mass, dimension, proportions and exterior details.
Analysis
Concrete Model 1:100
To form assumptions and create a certain vision on the design, a thorough analysis needs to be made. Redrawing plans,
cross-sections and elevations using two and three digital models helps to create a full understanding of the current situation.
10
The qualities of the surrounding park are
transferred into the interior space of the
central hall by the use of a transparent
façade. Because the hall is aligned with
the route through the park, a strong visu-
al relation arises between the park and
the interior. The abstract volume that is
lifted by two dynamical shaped masses
domes the hall. This volume serving as
exhibition spaces, frames the entering
of daylight from above that alights the
central hall. The spectacular image visu-
alized by this ligthened hallway and the
cantilevering effect of the main volume
mass, creates a unity between the interi-
or space and its surroundings.
Final Model 1:100
Conceptual Sketch