Re|View Winter 2024

A literary magazine of the Knoxville Writers Guild published in summer and winter.

Re|View

KNOXVILLE WRITERS GUILD MAGAZINE

WINTER 2024

Re|View is made possible by a grant from the Tennessee Arts Commission and a donation from Union Ave Books

WINTER 2024

© 2023 Re/View Magazine

Re/View is published twice a year

in winter and summer.

knoxvillewritersguild.org

Re|View

KNOXVILLE WRITERS GUILD MAGAZINE

WINTER 2024

Re/View is an e-zine for

the Knoxville Writers Guild

to give members a forum for

expressing a new look at their

surroundings, community,

and their place in the world:

what makes us look twice at our

connections/disconnections,

what we pay attention to,

and what inspires us to keep

writing and wondering.

Re/View is published twice a year

in winter and summer.

knoxvillewritersguild.org

EDITOR

Jeannette Brown

POETRY EDITOR

Marilyn Mascaro

ART DIRECTOR

Nancy Vala

COPY EDITOR

Linda Parsons

The Knoxville Writers Guild is a secular

community and does not discriminate against

any person because of race, age, religion,

handicap, national or ethnic origin, sexual

orientation, or gender.

KNOXVILLE

WRITERS GUILD

Stewart Harris

Unnatural Death

KB Ballentine

Calling Crows

Melanie Harless

Busy

Laura Still

Diptych: On a Folding Path

10

Daniel Reiss

The Girl Who Found Big Hefty

11

Candance W. Reaves

“Hey Dog”

15

Robert Beasley

Drop Zone

17

Nancy Vala

Three Strangers on a Bus, 1972

20

Suzy Trotta

Hail, Caesar!

21

Audrey Aiken

Halloween

24

Pamela Schoenewaldt

This Sure Uncertainty

25

Lucy Sieger

La Voyeuse (The Voyeur)

31

Connie Jordan Green

Ars Poetica Apologetical

33

Marilyn L. Mascaro

At the Tennessee

34

Bethany Lemons

Patricia

36

Mitzi Kesterson

Each Grief Is Every Grief

38

Rhea Carmon

For All the Women Who Made Me

39

John Bukowski

Rest Stop

40

Judith Duvall

A Strong and True Influence

43

Jamie Elliot Keith

A Gift

45

Katharine Emien

All Around You

46

Laura Still

The Forgotten Poet Laureate

47

Hen McClucken

The Accomplice

52

Connie Jordan Green

Happiness

53

In Memoriam

Bob Cumming, 1928-2023

54

Cover Photo: Stephanie Klepacki

Re/View is funded by the Tennessee Arts Commission, Union Ave Books, and generous donors.

Thank You to Our Contributors

Audrey Aiken has been

writing fiction and poetry for as

long as she can remember. Her

writing has been published in

the Young Writers' Workshop

2022 Anthology and online as

a finalist of the Owl Hollow

Press Heroes.

KB Ballentine loves to travel

and practice sword fighting and

Irish step dancing. When not

tucked in a corner reading

or writing, she makes daily

classroom appearances to

her students.

www.kbballentine.com

Robert L. Beasley lives in

Maryville, Tennessee, and

writes fiction.

John Bukowski is a former

researcher and medical writer,

with publications ranging from

journal articles to website

content to radio scripts. He has

published two novels and eight

short stories. He’s a native of

the Midwest but currently lives

in East Tennessee.

Rhea Carmon is a poet,

motivational speaker, teacher,

and founder of the 5th Woman

Poetry Collective. Her most

recent chapbook is Let the Sun

Shine In (Iris Press, 2022). She

was inducted into the 2019

East Tennessee Writers Hall of

Fame for Poetry, received the

2017 Community Shares

Award for Artist of Change,

and was the first African

American Poet Laureate of

Knoxville, Tennessee.

Judith Duvall’s poems and

fiction have been published by

Greyhound Books, Tellico

Books, Kudzu Literary Anthology,

Motif, The Tennessee Magazine

and in KWG and other

anthologies. Her poetry

collection is Unrationed Hope (Iris

Press). She lives, dreams, and

writes near English Mountain

and Douglas Lake in Jefferson

County, Tennessee.

Katharine Emien is a writer,

photographer, and radio host

living in Knoxville, Tennessee.

Her work has been featured in

Denali Magazine, KBOO Radio's

Writer's Read, and Hippocampus

Magazine.

Connie Jordan Green is the

author of novels for young

people and books of poetry and

was a newspaper columnist for

over forty years. She was

inducted into the East Tennes-

see Writers Hall of Fame and

received a Tribute to the Arts

Award from the Oak Ridge

Arts Council, among other

awards. She taught creative

writing for the University of

Tennessee and continues to

teach writing workshops.

Melanie Harless lives in Oak

Ridge, Tennessee. She wrote a

monthly travel column for a

regional magazine, and her

creative nonfiction, poetry, and

photography have appeared in

anthologies and in print and

online journals. Melanie is on

the board of the Tennessee

Mountain Writers and

volunteers for the Oak Ridge

Institute for Continued

Learning.

Stewart Harris lives in

Florida, where he tells stories

and works on his beach body.

Jamie Elliott Keith lives in

Knoxville, Tennessee, and

works as a community volun-

teer. Her poetry has appeared

in such journals as SLANT, San

Pedro River Review, Third

Wednesday, Soundings East, and

Naugatuck River Review. Her

chapbook, Past the Edge of Blue,

was published by Iris Press in

2017.

Mitzi Kesterson has been

writing almost since she started

speaking, and her favorite genre

is poetry. Mitzi also teaches,

paints, and travels as much as

she is able.

Bethany Lemons is a

27-year-old emerging writer

and lifelong East Tennessean.

After college, she organized

progressive political campaigns

and now works in the nonprofit

sector and spends her free time

writing, watching movies, and

hiking throughout Appalachia.

Enamored with all forms of

the written word, Marilyn

Layman Mascaro has

published poetry, memoir, and

nonfiction. Her latest book is a

narrative nonfiction history of

Knoxville, When the Rivers

Flowed: An Ambitious Hillbilly and

a Southern Flapper Discover

Knoxville, Tennessee.

Writing for people brings

Hen McClucken great joy.

She hopes to help others see

the world for its beauty and

treasure.

Candance W. Reaves is a

retired English professor from

Pellissippi State. She has

published in numerous

anthologies and literary

magazines and lives near the

Great Smoky Mountains

National Park, where she finds

her solace and inspiration.

Daniel Reiss is a writer from

the Great Smoky Mountains

currently enrolled in the

Creative Writing MFA

Program at Eastern

Washington University. His

work has appeared in Flying

South Literary Magazine and Still:

The Journal.

Pamela Schoenewaldt is a

historical novelist and

USAToday Bestseller. Two of her

first three novels, all published

by HarperCollins, were

shortlisted for the Langum

Prize in American Historical

Fiction. She has taught fiction

writing at UT and in Naples,

Italy, and was a University of

Tennessee Library

Writer-in-Residence.

Lucy Sieger is a writer and

editor based in Knoxville,

Tennessee. By day, she writes

and edits research reports for a

global tech company's think

tank. Nights and weekends, she

plays with prose and the

occasional poem.

Native East Tennessean

Laura Still is a poet,

playwright, and local history

author. She created Knoxville

Walking Tours in 2012 and

works as a storyteller and

history guide. Co-owner of

Celtic Cat Publishing since

2016, she has published

collections of poetry and plays,

as well as historical works, most

recently A Fair Shake: The

Leaders of the Fight for Women’s

Rights in Knoxville (2021).

Suzy Trotta lives in

Knoxville, Tennessee, with

her husband, dog, and two

cats. She posts personal

essays on her website, and

occasionally reads them aloud

on her podcast, Damn It, Suzy.

In addition to writing and

podcasting, she spends her

time sewing, gardening, and

reading tons of books.

www.suzytrotta.com

Nancy Vala is a writer, artist,

and singer/songwriter. She has

published a travel memoir in

Travelers’ Tales and poetry in

Pigeon Parade Quarterly. She just

completed an art calendar

based on the survival skills of a

wood nymph and a freshwater

mermaid. www.nancyvala.com

Winter

2024

LETTER FROM THE EDITOR

Dear Readers and Contributors:

Welcome to the inaugural edition of Re/View, an online publication

by and for the members of the Knoxville Writers Guild, as well as the

reading public.

When the Guild was chartered thirty years ago, we published themed

anthologies for a dozen years. Submissions were open to everyone in

the region and the editors volunteered their time. Many of these

books came close to selling out. Although current economics prohibit

a printed book, the online format allows us greater freedom with

space, color and graphics, as well as a wider audience.

We had over fifty submissions of prose and poems to this issue,

the majority were of high quality and clarity. Although they were

blind-judged, we surmise that contributors' ages span at least

seven decades.

We are very appreciative of our sponsors: a grant from the Tennessee

Arts Commission via the Knoxville Arts and Cultural Alliance, and

Union Ave Books, Knoxville's independent bookstore. We also enjoy

the support of the KWG Board of Directors.

The Knoxville Writers Guild is excited to offer this new creative

literary platform for Knoxville. Look for our summer issue.

Happy Reading!

Jeannette Brown, Editor

Re|View • Winter 2024

Winter

2024

abeel was that rarest of creatures: a

happy lawyer. Well, that may be a bit

of a misstatement. He wasn’t so much

happy about being a lawyer as he

was just happy. And nice, to the point that I

thought he was faking it when I first met him

at the big firm that hired us both out of law

school. I dismissed him as a climber, someone

who was going to charm his way to success.

He was always so up, so glad to see me—to see

everyone, actually, from colleagues to clients

to the guy who fixed the copier. But

he was the real deal. I spent ten

years with the guy, and nobody can

fake it that long.

Nabeel laughed all the time,

but not in an irritating way; he

laughed just frequently enough,

and just loudly enough to

spread an even-tempered good

cheer throughout the office.

And his manners were impeccable, if a bit

old-fashioned. He practically bowed when he

shook hands. He addressed women as “my

dear” and invariably complimented their

appearance until he was gently admonished

to tone it down by a partner concerned

about sexual harassment claims. She liked

Nabeel—everyone did; she was just looking

out for him.

Nabeel took the criticism in stride, as he did

everything else, although he confided in me that

it was very hard for him to abandon the social

practices that had been drilled into him in his

English public school. Nabeel’s family was from

Syria, but he had been educated at one of those

places that occasionally serves as a backdrop for

murder on British television, and he sounded

Re|View • Winter 2024

FICTION

Unnatural Death

Stewart Harris

like it. “Ah, Andrew!” he would greet me each

morning—he was the only person in the world,

other than my mother, who used my full first

name— “So nice to see you! You’re looking

tip-top!” I invariably looked “tip-top,” even

when I didn’t feel it.

Clients loved Nabeel, not just because he was

charming, but because he saved them millions

of dollars with inventive tax shelters that

pushed the limits of the law but never exceeded

them. Each time he received a

favorable revenue ruling from the

IRS, Nabeel would take his client

out to dinner and he would always

invite me to come along.

So it was natural, when I decided

to strike out on my own, that I

asked Nabeel to be my partner.

He accepted almost immediately,

after consulting with his lovely wife,

Rajah, whom he adored. Photographs of her

covered his desk and walls, as did pictures of

(and by) his three-year-old daughter, Gamila.

Nabeel worshipped his family. When he told

me, just after the new year, that Rajah was

pregnant again, this time with a boy, there were

tears in his eyes. He invited my wife, Barbara,

and me to his home for a celebration, where he

insisted upon cooking us a sumptuous dinner

on his massive new gas range. That range was

the sole source of discord in his marriage, so far

as I could tell. “Rajah thinks I’m going to kill

us all,” he confided to me as he grilled his Kebab

Halabi to perfection.

“Kill you?”

“Oh, she thinks the whole thing’s going to

explode. Her family has always had electric

i dismissed him

as a climber,

someone who

was going to

charm his way

to success.

stoves.” He made a face. “But it’s impossible to

cook properly with such an abomination. One

must be able to adjust temperatures precisely,

and the only way to do that is with gas.”

Surrounded by the savory aromas filling

Nabeel’s kitchen, I couldn’t disagree. Neither,

it seemed, could Rajah, who tucked into her

dinner with the hearty appetite of a very

pregnant woman.

“Have you picked out a name?” Barbara asked.

Rajah looked at Nabeel. “Almost.” Her

accent was as British as her husband’s. “We’ve

narrowed it down to either Taahir or Wali.”

She smiled and squeezed Nabeel’s hand. “We

like Wali, since it sounds more American, but

Nabeel’s father is named Taahir . . .”

“Stand your ground,” Barbara said. “Andy’s

father is named Elmer, and we decided long

ago that that ain’t gonna happen.”

Everyone laughed. Nabeel poured more

Cabernet.

A week later, I came into the office early on a

Saturday morning, shaking snow off my hat

and coat. I often come in on Saturdays, before

Barbara is up, to clear the decks for the coming

week. I like the quiet, which is hard to find on a

weekday. I typically stay a couple of hours, and

then I grab doughnuts or bagels to take home

for a late breakfast. I was just settling in when I

heard the squeak of a desk chair. Someone was

in Nabeel’s office, adjacent to mine. I wasn’t

alarmed, just surprised. Nabeel rarely came in

on weekends. Weekends were sacrosanct,

family time.

His office door was closed. How odd. Why

close your door when no one else is around?

I was about to knock when I heard something

I’d never heard before: the sound of Nabeel

crying.

“Nabeel?” I called out. “Are you all right?”

6

Re|View • Winter 2024

Silence.

“Nabeel?”

The desk chair squeaked again. Then slow

footsteps on the hardwood floor.

Nabeel never walked that slowly. Was someone

else inside? An intruder, perhaps?

I stepped back and steeled myself, but nothing

could have prepared me for what I was about

to see.

Nabeel was shrunken,

disheveled, unshaven,

almost unrecognizable.

He wore no tie. He

always wore a tie. He

leaned on the doorjamb

as if he were about to

fall. His eyes were wet

and rimmed with red,

but, worse, they lacked any expression.

Nabeel stood without speaking, then turned

and shambled slowly back to his desk. He

collapsed into his chair.

“Good God, Nabeel! What’s wrong?”

With a limp hand, Nabeel reached forward and

pushed a single paper toward me. It slid easily

across the polished walnut.

I scanned it and felt the blood drain from my

face. I looked up. “Are you sure?”

Nabeel nodded. His voice was that of an old

man. “This is something my family has lived

with for generations.”

“But—”

“It typically strikes in the mid-thirties, if it

strikes. If one makes it to forty, well, then, it

has passed one by.”

Nabeel, I knew, was thirty-nine. We celebrated

his birthdays together. Thirty-nine. He’d almost

made it.

Nabeel stared into the middle distance. “It takes

nothing

could have

prepared me

for what

i was about

to see.

about six months to run its course—six months

of ever-increasing, untreatable, agonizing pain,

culminating in slow suffocation. I saw an uncle

die of it . . .”

“When did you suspect—”

“The pain started two weeks ago. The test

results,” he glanced at the paper in my hand,

“came in yesterday afternoon.”

We sat in silence for over a minute. I didn’t

want to ask, but I had to know: “Have you told

Rajah?”

Nabeel’s face contorted.

“No. I made an excuse

and stayed here last

night. I . . . just couldn’t

. . .” The tears came.

I stood and hugged him,

awkwardly. Nabeel

was not a hugger.

Eventually, he regained

control and I returned

to my seat. Nabeel said,

“She suspects. She

suspects, Andrew, but not just because of my

symptoms.” Nabeel pulled another sheet of

paper from a drawer. It was nearly identical to

the first—a page of test results, but the name

on the top was different.

“Rajah? Rajah has it, too?”

Nabeel bowed his head.

“But, how can that be? Isn’t this a genetic

condition?”

Nabeel looked at me from beneath heavy black

brows. “Her family is from the same village as

mine, in Syria. Everyone there is related, if one

goes back far enough.”

He heaved a sigh. “She just turned thirty. Her

pain began at almost the same time mine did.”

“Oh, my God!” I took several moments to

digest the horrible news. Then my heart

thumped. “What about Gamila? And the

Re|View • Winter 2024

baby?” Rajah was about eight months along.

“When both parents manifest the condition,

there is a 100 percent chance that the children

will be afflicted. They will both . . . they will

both be dead before they reach five years of

age. And their deaths will be . . . excruciating.”

Now I cried. Incongruously, I felt Nabeel

standing beside me, trying to comfort me.

I stood, and we clung to one another, sobbing,

until we could stand no more. Nabeel did not

usually drink very much, but he didn’t object

when I offered him a double shot of Scotch,

neat. He soon lay unconscious on his couch.

Leaving the door open, I returned to my office

and did what I do best. Nabeel, with his British

manners, was the barrister of the firm. I was

the back-room guy, the guy who could always

find the obscure precedent to rescue a losing

case. But, this time, my research skills failed me.

Nabeel’s condition was exactly as he described

it. It was always fatal. There was no treatment,

no hope.

Nabeel’s landline rang and I heard him groan.

It was almost six-thirty. We’d been there all

day. How could that be? I jumped up and

grabbed Nabeel’s phone before he could reach

it, motioning him back to his couch.

“Rajah? Hi, this is Andrew. Yes . . . yes, I’m

here with Nabeel,” I babbled my first few

words, not knowing what to say next, until

I did: “I’m afraid I owe you an apology. We just

got some very good news about a case, and I

insisted that Nabeel celebrate with me. He’s a

little, ah, knackered. I’m sorry. I’ll bring him

home and you can put him to bed. Okay? Yeah

. . . yeah . . . Okay, see you soon.”

I hung up. Nabeel stared at me. I took a

breath. “Nabeel, I would tell you to sit, but

you’re already sitting. I’ve spent the day online,

researching your . . . affliction. There’s a

clinical trial taking place right here in Detroit.

For a new treatment. It’s showing great

promise.”

i was the

back-room

guy, the guy

who could

always find

the obscure

precedent

to rescue a

losing case.

Nabeel almost leaped to his feet. He was still

exhausted and hungover, but, for the first time

that day, his eyes held a glimmer of hope. He

asked question after question and I told lie

after lie. We agreed that we would say nothing

to Rajah, not until I had

made arrangements for

them both to get into

the trial. I knew one of

the doctors personally.

I would make it happen.

Lie, lie, lie.

I made Nabeel drink

another double Scotch

and poured him into my car. We reached his

beautiful ranch home twenty minutes later.

Rajah put him to bed. Then I sat with her for

two hours, drinking wine, eating the dinner

she had prepared for her husband, making up

more lies about the great legal victory we had

8

Re|View • Winter 2024

scored that day, all thanks to Nabeel’s hard

work and brilliance. I overstayed my welcome,

until her exhausted mother’s eyes began

to droop.

“I’m so sorry, Rajah. You must be all in. Off to

bed with you. I’ll clean up. I can let myself out.”

With only faint protest, Rajah retired. I cleaned

the kitchen, taking my time. When I was

finished, I stepped into the hall leading to the

bedrooms. I could hear the steady sounds of

sleep, both Nabeel’s heavy snoring and Rajah’s

softer breath. I looked in on Gamila, tucked

firmly into her bed.

The house was warm and snug. I looked

around, at all the photographs and crayon

drawings, the books and toys. Then I gathered

my hat and coat, and, just before I left, I

opened all the jets on Nabeel’s massive new

gas range. a

i looked

around,

at all the

photographs,

the books

and toys.

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