Spotlight - The Printmakers IV

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The Printmakers IV

Spotlight:

The Printmakers IV

Exhibition: November 9th, 2024 - July 12th, 2025

Featured Artists:

Elizabeth Addison

Daisy Eneix

Theresa Giammattei

Marc Ellen Hamel

Robynn Smith

Charles Stinson

Artist Reception and Trunk Show:

Saturday, March 22nd, 12-3pm

Catalog designed by Michael Yochum

Arc Gallery © 2024

Beginning in 2023, Arc has been dedicating its Spotlight Gallery & Office to a

rotating exhibition of Bay Area printmakers. This more intimate space lends

itself very well to exhibiting prints, which are ofter best viewed close-up.

We will also have some unframed works in the flat files by each of the

exhibiting artists.

Arc is dedicated to showcasing and promoting emerging and established

artists in the San Francisco Bay Area. Since establishing Arc in 2010,

the Gallery and Project Gallery have provided exhibition opportunities for

over 1000 mostly local artists. Our artist studios are the working home for

15 outstanding local artists. Our goal has been to foster community; provid­

ing an arc between our vibrant Bay Area art scene and its art enthusiasts,

collectors and businesses.

Michael Yochum, Curator

Arc Gallery & Fine Arts

415-298-7969

for purchases or consulting services, please email arcgallerysf@gmail.com

Curator’s Statement

Elizabeth Addison

website:

www.elizabethaddison.com/

IG:

@eaddison329

Hills

I record images and impressions on daily walks

and transform them into Mandalas of ‘the one… the

universe.’ These range from examining California’s

native flora and waterways to the consistency in

nature’s forms and environmental equity. My Hills

series is a visual expression of love for the Berkeley

Hills. They have their moods and messages and

communicate something worth contemplating each

day.

These hybrid prints are created with original digital imagery, stencil, and monotype on

100% cotton rag paper.

Elizabeth Addison

Grounded

original digital imagery, stencil, and monotype on 100% cotton rag paper

16” x 16” framed (12” x 12” image), EV 2/2

$600

Between Heaven & Earth

original digital imagery, stencil, and monotype on 100% cotton rag paper

16” x 16” framed (12” x 12” image), EV 2/2

$600

Elizabeth Addison

Elizabeth Addison

Breath

original digital imagery, stencil, and monotype

on 100% cotton rag paper

16” x 16” framed (12” x 12” image), EV 2/2

$600

Passage

original digital imagery, stencil, and monotype

on 100% cotton rag paper

16” x 16” framed (12” x 12” image), EV 2/2

$600

Daisy Eneix

website:

www.missionartists.org/artists/daisyeneix

IG:

@nightdreamingdaisy

Drawing from the fertile ground of mythology, folklore

and fairy tales, these hand-carved images explore

themes of liminality, intimacy and transformation.

Deities and archetypes of old are remembered and

reinvented, their presence an incitement to enter a

more visceral and mystical world of knowing and being.

Daisy Eneix

The Queen of Diamonds

linocut

15” x 15” framed (12” x 12” image)

$300

Daisy Eneix

Encounter

linocut

15” x 15” framed (12” x 12” image)

$300

Daisy Eneix

Ishtar Reborn

linocut

20” x 16” framed (15” x 11.5” image)

$320

The Night Apothecary

2-color viscosity linocut

20” x 16” framed (13.5” x 11” image)

$340

Theresa Giammattei

website:

www.uncommonegress.com

IG:

@t.giammattei.art

My work invites one to explore the quirkiness of the human

condition. Much of the imagery is drawn from my childhood,

freely roaming, catching bugs, and creating forts in the

woods of upstate New York and the Berkshires. These hand

drawn monotypes are part of my current Organic/Mechanic

series in which I ruminate on biophilia (love of nature) vs.

biophobia (the fear of nature) and how they affect the

way we reshape our environments. We use tools to alter

and sterilize our surroundings. But we need to fix these

tendencies, not only to bring back the wild, but also to

re-expose ourselves, as well as the next generations, to

the wonders and diversity of nature. We must look past

our initial squeamishness and get closer to examine the

beauty of the unfamiliar.

Theresa Giammattei

Gold Star

hand modified monotype with colored pencil and gold leaf

30” x 22.5” framed; (22” x 15” image)

$900

Theresa Giammattei

Clipped Wings

hand modified monotype with colored pencil

30” x 22.5” framed; (22” x 15” image)

$900

Theresa Giammattei

Terraforming

hand modified monotype with colored pencil

30” x 22.5” framed; (22” x 15” image)

$900

Marc Ellen Hamel

website:

www.marcellenhamel.com

IG:

@markiehamel

In this series I explore balance and symmetry

using shapes, color, and layering. Using the

multi-drop technique, I start each print with a

background color and oval areas blotted out,

then add contrasting shapes and colors in a

number of layers, working quickly and intuitively,

to reach the final composition. The oval shapes

offer a sense of floating, or of piled rock shapes,

while the linear shapes provide interruption and

contrast.  The intense colors and varying shapes

create an atmosphere brimming with activity. I

was initially inspired by wooden cairn sculptures

of George Tsutakawa, an artist whose work I saw

throughout Seattle in my youth and the series

grew and changed from there.

Marc Ellen Hamel

Jazz Club

Monoprint

25” x 19” framed

$500

Marc Ellen Hamel

In The Half Light

Monoprint

25” x 19” framed

$500

Marc Ellen Hamel

Keep on the Sunny Side

Monoprint

25” x 19” framed

$500

Robynn Smith

website:

www.robynnsmith.com

IG:

@blue_mouse_studios

Commuting to Monterey from Santa

Cruz brought me through Elkhorn

Slough three times a week. The

landscape was both constant and ever

changing. The Slough witnessed thirty

years of my life, and I watched it in

wonder through seasonal changes,

earthquakes,

changing

migration

patterns, drought and flood. These

prints

walk

the

line

between

representation

and

abstraction,

photography and printmaking.

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